Photo Gallery

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Please see Special:NewFiles or Special:ListFiles to view all uploaded files. There is also an Art Gallery.


Photobuch Photo-Inventarium

  • Photo-Inventarium / Photo-Inventarium
    Photographs by Billy Eduard Albert Meier and a selection of his witnesses from 17th May 1964 to 5th February 2004. With an explanation as to why BEAM is the proclaimer of the modern times, contact person to the Plejaren Federation, why he was supposed to take the best photos of the out of this world beamships and the reason they come to Earth.
    Source Sample
  • Photobuch / Photobook
    Linen cover with silver embossing, 4 coloured print, thread-bound, 122 pages, 95 photos (including 29 large format colour photos), size: 230mm x 297mm.
    Source Sample

In contrast to other UFO groups, which deal exclusively with the phenomenon of UFOs, for us the spiritual (geistige) and consciousness (bewusstseinsmässige) background occupies a much higher priority than all ufological concerns taken together.[1] Nevertheless, we cannot and don't want to renounce the topic of ufology, especially since we have the world's most extensive and best evidence that's ever existed. There is no UFO case on this Earth comparable to that of Billy Meier. The extraterrestrial human beings that Billy Meier has been selected and prepared to communicate with and be educated by, have encouraged and assisted him to take over a thousand photographs and film recordings of their many different types of spaceships, beamships, high-technologies and personnel, as well as various other interesting and supporting things. It’s a moderate, modest presentation considering what you’re looking at. [continue reading]

A crop from Billy Meiers photo used in promotion of the fantasy fiction television series X-Files, seasons 1-3. It's proven a more popular image-crop amongst those that want to believe than amongst those that want not know for some reason.
Although often referred to as fake, and if fake surely nothing more worth knowing about it, Billy Meier's photographs are used around the world in the press and on television as a means of illustrating reports of UFOs. It's significant that Meier's copyright is regularly disregarded and in all these years he's received only a few very small royalties and in about three cases.[2] The more famous photos in the collection were taken in the 1970’s and early 1980’s. One of which notably ended up being used for the original X-Files series 1-3 "I Want To Believe" TV poster in the 1990's, which demonstrates how fiction is a stronger popular interest than non-fiction and how believing is more interesting than knowing, therefore regrettably that truth isn't commercially viable and profitable.

The lesser known non-famous images by BEAM and by those other photographers at higher resolutions, span a greater time-frame. When the images from India are taken into consideration, from the 17th of May 1964 to the 5th of February 2004, and others even to the present day, when vessels from the wider Plejaren Federation are taken into consideration (however it all began much earlier in 1937). The collection includes other interesting things including; archaeological discoveries, drawings, event related happenings, natural and unnatural formations, experiments, geographical imagery, universal symbols and imagery related and in support of specific explanations in the Contact Reports.[citations needed] Its all already heavily steeped in heritage despite first being documented properly in just the second half of the 20th century. When we consider the tied-in events i.e. mission associated with ancient times,[citation needed] within at least what we from our perspective designate as ancient.[citation needed] The collection isn't particularly clear in terms of origination, context and/or descriptions with the images. There are several dubious images which have been woven in, some supportive, others not so much.[citations needed] Its generally accepted that the independent studying person will be on their own, to make up their own mind about which is which and what is what for themselves.

Billy was not the first nor last to photograph beamships but is the only in the world to have any quantity.[citation needed] Ufology is as big as it is today after just a few decades, not exclusively because of him, but because of a Plejaren Federation and Andromedan High Council decision for limited but open disclosure in the 20th century.[citation needed] We have been deemed mature enough for a small, lesser reveal, at this particular stage of our rapid history, because it’s always been as worldwide and openly-concealed as they've said it is,[citation needed] with at least 5 races in a large federation who have been known to quietly visit Earth for some time,[citation needed] and because their life expectancy is roughly 12x our life duration.[citation needed] They've therefore been able to oversee those rapid succession of developments and because Earth is known to have an ancient ancestral extraterrestrial heredity,[citation needed] and we're in the midst of another civilisation restart[citation needed] in the lofty scheme of time. I suppose you could say it's all been a big openly-concealed matter for a long time.[citation needed]

The gallery below contains selected images and represents a smaller quantity of the totality of all available imagery. It’s become collectable and a hobby to read and study by many.[citation needed] On the other hand Eduard's claims have been widely characterised globally as fraudulent by carping scientists, sceptics,[3] and most ufologists (the UFO Community ideologically opposes the Meier Case); who say that his photographs, films, evidences etc., are tricks and story is too fantastic.[citation needed] Some find this layering interesting in and of itself.[citation needed] The website does include some of those more sceptical analyses, it covers everything, however the FutureofMankind is mostly focused on the interesting published works, and presenting everything in a neutral way. Other websites are available if your looking for a morbid even macabre tone,[citation needed] you won’t find those kinds of tones and approaches here. The website is somewhat aligned[citation needed] to the FIGU itself (FutureofMankind is not an official FIGU website), which takes a no proselytising,[citation needed] calm, neutral approach to the sceptical. For most and normal readers it has all been presented by FIGU beautifully, and most don’t need or have not needed analysts to know. Frankly those who have found themselves reading the entirety of the works, have discovered that position of FIGU, of not proselytising; refreshing, honourable and on some level revealing, intriguing and enjoyable to continue reading. But no proselytising means you’ll have to decide for yourself what you think about it. Besides, most are capable of finding out by themselves, that it’s possible to have a difference of opinion.[citation needed]

The witnesses speak and think differently about it all than the television documentaries and silence from the authorities has lead that majority to perceiving it to be.[citation needed]

The story behind the photos is after all big.

The hand-drawings of the Plejaren personnel (assigned to Earth and the tasks) at the more so forefront of the exchange, are by several sketch artists who have logically-embellished a more simple original drawing by the Plejaren themselves which Billy has then passed along.[citation needed] The drawings may therefore differ slightly and as they're drawings are never going to be perfectly accurate like a photo. There is a slither of part of one of them with the hair and lazer showing.[citation needed] The reason photos don't show them has several reasons, among those reasons we are told is that by revealing their identity they would no longer be able to walk among us without being identified,[citation needed] and presumably facial recognition technologies may have even allowed authorities to track them,[citation needed] but the most important reason is 'the might of thoughts and feelings'; being as numb as we are and them being as sensitive as they are; or else they wouldn't be able to use telepathy;[citation needed] plastering their images all over the internet may have caused them various problems, being disturbed by all sorts of ignorant signals etc.[citation needed]

If your looking for how a Plejaren looks, look at yourself, in a mirror, or at an average European, African or Asian. That is another aspect covered in the Contact Reports, with the exception of the wider Plejaren Federation, where then there are several types of human that may look different even strange to us. It’s part of why it’s been an open-secret with open-evidence until the 20th century, because they’re waiting for us to realise what we are as independently as possible.

Some of the images are of, near, or taken at the 'Semjase Silver Star Centre', SSSC. They’re usually identifiable by the buildings, features and tree varieties etc.

Symbols of the Spiritual Teaching (Symbole der Geisteslehre), Books#Symbole_der_Geisteslehre.

Nearer the bottom of the collection we’ve included a few of the symbols of the spiritual teaching from the book ‘Symbole der Geisteslehre’. The book contains 601 out of the total of 52,476,812 (52 and a half million) spirit symbols, which Billy has retrieved from the Storage Banks, which required a lot of effort for him.[citation needed] The more complex symbols might have been too difficult to convey.[citation needed] They are used in Spirit-Telepathy (not regular Telepathy / primary-telepathy), a fact which is explained in ‘Geisteslehre No. 17’, p.179.

In the introduction section of the book ‘Symbole der Geisteslehre’, p. XVI, Bernadette Brand describes the value of the symbols as a self-education tool.

".....The symbols of the Spirit Teaching embody not only the concepts they represent, but they contain any of a whole universe of meanings. They generate in the person who deals with them, a new bond / attachment to the symbol and the idea for which it stands for. Occupying oneself meditatively on the symbols of the spiritual teaching in detail, from my own experience, causes an extremely valuable and helpful, self-knowledge, self-education and character development and personality development. The symbols accommodate not only nice and edifying or foreboding and awful ‘images’, but in themselves are very involved, and to deal with them radically and unreservedly, is informative and valuable....."

".....With the feelings and stirrings they evoke in us when we inspect, perceive and deal with them, can be bit by bit a help to us on our stony and laborious path of evolution. Our reactions to the symbols are not neutral, but in fact shaped by our thinking and our personality."

The ability to use Spirit-Telepathy is only available to those who have reached level 4[citation needed] and mastery of primary-telepathy may be a requirement which precedes this. Billy mentioned[citation needed] that only a small percentage of individuals in the Plejaren Federation have developed the ability to use primary-telepathy,[citation needed] and that as far as Earth humans are concerned, our life expectancy is just a little too shy of the amount of time necessary to learn it.[citation needed] Ptaah explained that one of their investigations[citation needed] indicated that Earth, on the whole knows some very basic, baby-shoes, consciousness-related-telepathy, but is some way off primary- and volitional telepathy.[citation needed]

The symbols represent a materialist / coarse material representation i.e. solid image in the visible light spectrum of the electromagnetic spectrum, of what is essentially and inherently pure-material and fine-material indigenously.[citation needed] Which is probably an important fact to know.

So what is the Billy Meier story about? Well opinions vary and you can make your own mind up about it by starting at the Contact Reports page.

Some, asked to describe the story in one word as a good review, have called it a story of dependence.

Evolution by definition is dependant on the starting position. It’s about the Plejaren being at the very top of the ladder of technological dependence. About us approaching the first step of such a dependence, and how if they helped us we would become dependent on them instead of our own ladder; like how the former extraterrestrials who generally live on Earth made the neanderthals dependent in the early days, until the dependence flipped the other way, similar to the relationship between developing-world-aid contributions from the developed nations and mass migration. Dependence on their legal system to do any of what they’ve been granted to do. Dependence of the individual readers past lives and their storage banks as to whether the story will even be understood or picked up. Dependence on sensitivity and soundness of mind. The Prophets dependence on the education given to them, the readers dependency on being able to read and in the language it was written and on translating it. Dependence on religion. Dependence on the internet being developed at the time it was. The mission dependant upon voluntary contribution. Dependence on there being enough wealth generally; wealthy dependent on poor, poor on wealthy. Dependence on health. Dependence on the knowledge of the time. Dependence on the group members stepping up to the task. Dependence on the natural-laws, creative-natural-laws, on the pure-spirit-forms, on their ancestors knowledge of fine-material. Dependence on us sharing a very ancient ancestry with them. Switzerlands dependence on foreigners. Dependence on our genetics limiting time through life-expectancy allowing the schedule to be manageable by them, and since ancient times. Dependant on our ignorance, dependent on the ancient catastrophe which restarted civilization. Dependency on the codex. Dependent on our continued ability to learn, on making mistakes, on doing the wrong thing, and the right one. We’re dependent on each other, and they’re dependent on each other, separate humanities. It’s a story about many dependencies, depending on the readers perspective and the quantity of times they’ve read the archive.

Q: What does this story matter?

A: Well assuming you’ve now read the story in the Contact Reports, which takes some years to get ones head around on it’s own, and your now on that secondary level of what does it matter. Then your probably ready to tuck into the real good advice which is all about making life better and being more successful at whatever you decide to do. It takes going through the story (of Earth and of life) in a similar way that it takes a child to go through school, for individuals to identify it and for it to stand out to them and be clear.



  • FIGU Filmaufnahmen (UFO) Video Gallery (German) (External)
    Filmed in Switzerland by 'Billy' Eduard A. Meier with a Super8 camera, with the exception of the "Bachtel" footage, which was filmed with video camera. The full video sequences were incorporated into the films "Contact from the Pleiades", "Beamship: The Meier Chronicles" and "Beamship: The Movie Footage" and can be watched on youtube and other video sharing platforms.

Photo's FAQ [Show/Hide]

Q: Who took the photos?

A: Most were taken by Billy Eduard Albert Meier, however a fair few were taken by other photographers, see description, reference, source, attached links etc., for all similar questions e.g. who is in the photo, location, investigation, publication etc.

Q: What year were the photo's taken?

A: It varies by image, between the 1960's and 2000's, most of the famous photos were taken in the 1970's, for more info it's a similar answer as above, most photos have a lengthy documented story attached to them, research it some more.

Q: Why are there tree's and objects in the foreground?

A: Billy was instructed to stand behind things to give the future investigators something to assess distances,[citation needed] with varying success.

Q: How many photos were taken?

A: Over 1500, however many were stolen, sabotaged at the local dark room where he had them developed or replaced to make him look a fool which he had to then withhold,[citation needed] but we have a good enough quantity. Regarding the photo's by other photographers and images of symbols and drawings etc, there is many more of those and we don't host them all.

Q: When was the computer software photoshop invented?

A: Those types of photo editing technologies were developed some time in the mid to late 1980's. If the question is related to the authenticity of the photo, see the decades of all sorts of different investigations that have taken place in the various links in the sidebar on the left of the website and the external links page has many additional websites on top of that which have investigated various aspects of it all. This is a good investigation: Analysis by Rhal Zahi second edition (PDF)

Q: How did Billy take these with one and half arms?

A: It's more difficult but still possible.

Q: How big are these UFO's?

A: Most have about a 7 metre diameter at their widest, some are half that 3.5 and some are much larger than that, you will have to read the connected links and the Contact Reports is where the details of the photos are explained by Billy and Plejaren.

Q: Why is it only Billy who has such a large collection of UFO's?

A: That is a long explanation, Why Billy Meier? begins to answer it.

Q: What are the spirit symbols?

A: There is a description in the above sections extended reading area.

Q: Why have there been scientific investigations?

A: Because some folks want the truth and some don't allow anything to stand in their way.

Q: Why are these photos not on television?

A: They have been on television many times, probably in every decade since they were taken we have not checked, but a few of the photos were proven to be fraudulent and most investigators don't bother to look any further at something if a small part of something is deemed unworthy. On top of that, many of the claims associated with the images and the story and explanations Billy has given have been deemed heavily offensive to many worldwide organizations with very large audiences and often with a very long history, so they are hardly going to leap for joy and begin promoting what the investigators have discovered are they. Television networks only broadcast what they can sell, the worlds greatest hoax is a better sale than the world has some very serious problems which we deceive ourselves about and this one man in the Swiss countryside has been more capable than we have been with our quadrillion dollars; so the story associated with the photos has been offensive to the majority and so it's irrelevant whether even 1 single photo in the collection is genuine or not, they don't like what Billy is doing.

Q: Why doesn’t Billy Meier feature in the vast majority of UFO and mystery explained documentaries?

A: Netflix and major networks for example? Well it is a similar answer as above, it’s too loaded even if they had the time to explain their way around the hoax portrayal element, most audiences like a palatable entertainment arrangement which doesn’t challange them and makes them feel comfortable, special and offers up an easy reward, doesn’t demand of them to think and is easy on the mind. The truth is also particularly difficult to sell and it would be difficult to fill out a documentary with sufficient conflict and action with the boring truth. A similar question would be why academic papers had not been written instead, well they have it’s just that UFO’s is the kind of interest which tends to lead academics, professionals, e.g. pilots etc., to loose their jobs, becauae large organisations don’t want to be seen to be having anything to do with it. So a very limited variety and at a very shallow depth. Billy Meiers Books and Contact Reports are where the depth is, and most of it can’t be talked about easily.

Q: Why have you put the rubbishy discrediting photos at the front of the collection and the high resolution images are buried in some obscure page somewhere?

A: They are all presented here. The thing about the Consciousness and Ratio is that it will take some years to look clearly at what you're looking at, so the order and sequence of the photos presentation is not greatly important anyway.


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Further Reading



  3. and
  4. Source: (Video still from the feature-length documentary "The Silent Revolution of Truth")
  5. Source:
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  7. Source:
  8. Photo Inventarium 2014
  9. Source:
  10. 6 Photo Inventarium 2014
  11. Photo Inventarium 2014
  12. Source:
  13. Source:
  14. Source:
  15. 12 Photo Inventarium 2014
  16. 15 Photo Inventarium 2014
  17. 494 Photo Inventarium 2014
  18. 83 Photo Inventarium 2014
  19. See Contact Reports listed by date
  20. 80 Photo Inventarium 2014
  21. 60 Photo Inventarium 2014
  22. 116 Photo Inventarium 2014
  23. (From Guido Moosbrugger's book "And still they fly!")
  24. (analogue video) reel
  25. Berg-Rumlikon, Switzerland, 12th June 1975, 10:40 am.
  26. 62 Photo Inventarium 2014
  27. 61 Photo Inventarium 2014
  28. 638 Photo Inventarium 2014
  29. 93 Photo Inventarium 2014
  30. (Source: FIGU US old external website link Source)
  31. (Video still from the feature-length documentary "The Silent Revolution of Truth" during a cross-fade between the two previous photos)
  32. 55 Photo Inventarium 2014
  33. 57 Photo Inventarium 2014
  34. 64 Photo Inventarium 2014
  35. 65 Photo Inventarium 2014
  36. 66 Photo Inventarium 2014
  37. 69 Photo Inventarium 2014
  38. 71 Photo Inventarium 2014
  39. 76 Photo Inventarium 2014
  40. 65, 119, 57 and 71 Photo Inventarium 2014
  41. Courtesy of J. Jansen. (Thanks to Professor Jim Deardorff
  42. 229 Photo Inventarium 2014
  43. 221 Photo Inventarium 2014
  44. Source: link
  45. 187 Photo Inventarium 2014
  46. 187 Photo Inventarium 2014
  47. 202 Photo Inventarium 2014
  48. 200 Photo Inventarium 2014
  49. 154 Photo Inventarium 2014
  50. 154 Photo Inventarium 2014
  51. 151 Photo Inventarium 2014
  52. 152 Photo Inventarium 2014
  53. Photo Inventarium 2014
  54. Photo Inventarium 2014
  55. Photo Inventarium 2014
  56. Photo Inventarium 2014
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  60. Photo Inventarium 2014
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  64. Photo Inventarium 2014
  65. Photo Inventarium 2014
  66. Photo Inventarium 2014
  67. Photo Inventarium 2014
  68. Photo Inventarium 2014
  69. Photo Inventarium 2014
  70. Photo Inventarium 2014
  71. Photo Inventarium 2014
  72. Contact Report 012 lines 50 - 52
  73. Photo Inventarium 2014
  74. Source: Photo Inventarium, 2014
  75. Photo Inventarium 2014
  76. Photo Inventarium 2014
  77. Photo Inventarium 2014
  78. Photo Inventarium 2014
  79. Photo Inventarium 2014
  80. Photo Inventarium 2014
  81. Photo Inventarium 2014
  82. Photo Inventarium 2014
  83. See Contact Report 015 regarding projection of a persons image spiritually to another place or time.
  84. Source: Photo Inventarium, 2014
  85. Photo Inventarium 2014
  86. Source: Photo Inventarium, 2014
  87. Source: Photo Inventarium, 2014
  88. source of image: the documentary Contact.
  89. Photo Inventarium 2014
  90. (Source FIGU US website old link)
  91. Photo Inventarium 2014
  92. (Source)
  93. (Source external FIGU US link)
  94. (Photo from Guido Moosbrugger's book "And still they fly!")
  95. (Photo from Guido Moosbrugger's book "And still they fly!")
  96. Photo Inventarium 2014
  97. Photo Inventarium 2014
  98. Photo Inventarium 2014
  99. Verzeichnis, 1986
  100. Photo Inventarium 2014
  101. Verzeichnis, 1986
  102. Photo Inventarium 2014
  103. Verzeichnis, 1986
  104. Photo Inventarium 2014
  105. Plejadisch-Plejarische Kontaktberichte Block 3 (2004)
  106. Photo Inventarium 2014
  107. Photo Inventarium 2014
  108. Photo Inventarium 2014
  109. Verzeichnis, 1986
  110. Photo Inventarium 2014
  111. Photo Inventarium 2014
  112. Photo Inventarium 2014
  113. Photo Inventarium 2014
  114. Photo Inventarium 2014
  115. Photo Inventarium 2014
  116. Photo Inventarium 2014
  117. Photo Inventarium 2014
  118. Photo Inventarium 2014
  119. analysis by Rhal Zahi second edition PDF
  120. Photo Inventarium 2014
  121. Photo Inventarium 2014
  122. Photo Inventarium 2014
  123. Photo Inventarium 2014
  124. Photo Inventarium 2014
  125. analysis by Rhal Zahi second edition PDF
  126. Photo Inventarium 2014
  127. Photo Inventarium 2014
  128. analysis by Rhal Zahi second edition PDF
  129. Photo Inventarium 2014
  130. Photo Inventarium 2014
  131. Photo Inventarium 2014
  132. Photo Inventarium 2014
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  134. Photo Inventarium 2014
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  144. Photo Inventarium 2014
  145. Photo Inventarium 2014
  146. Photo Inventarium 2014
  147. Photo Inventarium 2014
  148. Source
  149. Source
  150. (Video still from the feature-length documentary "The Silent Revolution of Truth")
  151. See Contact Report 236 from 26 April 1990. (From Guido Moosbrugger's book "And still they fly!")
  152. Source
  153. Source
  154. (Video still from the feature-length documentary "The Silent Revolution of Truth")
  155. (Source)
  156. (Source)
  157. Source
  158. Source
  159. Source
  160. (From Guido Moosbrugger's book "And still they fly!")
  161. See Contact Report 039
  162. Jmmanuel - wrongly known today as Jesus Christ
  163. colourised in Photoshop by Dejan.
  164. colourised by Dejan.
  165. A page from the book "And still they fly!"
  166. Semjase informed Meier about the Plejaren Alphabet during Contact Report 31 while on his Great Journey. This is a page from the book "And still they fly!"
  167. See Contact Report 236 lines 204 (Thursday, 26th April, 1990) Semjase Kontakt Berichte Block 13, pg. 2465, 1996; Plejadisch-plejarische Kontaktberichte Band 6, pg. 262, 2005.
  168. See Contact Report 236
  169. See Contact Report 236.
  170. See Contact Report 236.
  171. See Contact Report 236.
  172. Later changed to manufactured fake composite by producers, presumably to avoid alienating those who didnt live in a high precipitation, moderate temperate climate with rare rolling hills surrounded by evergreen conifer forest that included cedar, cypress, Douglas fir, pine, spruce and in order to lower the shows value all the way down to where audiences tastes for entertainment were, in the cheap.
  173. see Contact Report 251.
  174. The universe including all its dimensions and features is said to have this particular configuration, this is how it's said to look, were an image captured of the full formation externally and from quite some distance. Fictitious artists representation.
  175. Most Planets naturally develop some form of similar cultural interpretation. Based in the growing and thriving in nature, where momentum tends to proceed upwards.
  176. The top section is said to resemble a lotus flower or aquatic based flower, water lily however most flowers follow the same growth principles.
  177. We've associated a downward momentum to the flourishing of nature on Earth. Peace tends to occurs when things are permitted to develop normally.
  178. Upside down represents struggling life, anti-life, death, war, anti-flourishing and holds several other denotations and connotations including based with barren manifestation. It doesn't represent peace as popularly thought.
  179. Some eastern cultures have similar iconography and symbolism which has developed over into garden and architectural features.
  180. The underside veins of leaves tend to grow with the natural pattern formulation. The arrangement holds several excellent transfer, supporting and development advantages over others.
  181. The iconography is often associated with marriage and partnership.
  182. Similar to pestle and mortar, ancient Egyptian and Rapa Nui symbols which have held similar values.
  183. Similar to the iconography utilised by the Judaism religion which however is not necessarily befitting of its values yet has been known to be perceived that way. See history of anti-semitism.
  184. Forms of perversity are necessary at certain times of evolution. Similar composition is found in the Union Jack, the national flag of the United Kingdom. Which may upon thought, be advantageous in light of the time schedule and other factors on Earth.
  185. Associated with repulsion. Beamships master repulsing, pushing and pulling of matter, for flight control purposes.
  186. Similar but not the same as the rejection symbol.