Difference between revisions of "Photo Gallery"

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Some, asked to describe the story in one word, have called it a story of '''dependence'''.<br>
 
Some, asked to describe the story in one word, have called it a story of '''dependence'''.<br>
Evolution by definition is dependant on the starting position. It’s about the Plejaren being at the very top of the ladder of technological dependence. About us approaching the first step of such a dependence, and how if they helped us we would become dependent on them instead of our own ladder, like how the former extraterrestrials who generally live on Earth made the neanderthals dependent in the early days, until the dependence flipped the other way, similar to developing-world-aid contributions from the developed nations. Dependence on their legal system to do any of what they’ve been granted to do. Dependence of the individual readers past lives and their storage banks as to whether the story will even be understood or picked up. The [[Prophets]] dependence on the education given to them, the readers dependency on being able to read and in the language it was written and on translating it. [[The mission]] dependant upon voluntary contribution. Dependence on there being enough wealth generally. Dependence on the knowledge of the time. Dependence on the group members stepping up to the task. Dependence on the creative-natural-laws, on the pure-spirit-forms, on their ancestors knowledge of fine-material. Dependence on us sharing a very ancient ancestry with them. Dependence on our genetics limiting the quantity of time through life-expectancy allowing the schedule to be manageable by them. Dependant on our ignorance, dependent on the ancient catastrophe which restarted civilization. Dependency on the codex. Dependent on our continued ability to learn, on making mistakes, on doing the wrong thing. We’re dependent on each other, and they’re dependent on each other, separate humanities. It’s a story about many dependencies.
+
Evolution by definition is dependant on the starting position. It’s about the Plejaren being at the very top of the ladder of technological dependence. About us approaching the first step of such a dependence, and how if they helped us we would become dependent on them instead of our own ladder, like how the former extraterrestrials who generally live on Earth made the neanderthals dependent in the early days, until the dependence flipped the other way, similar to developing-world-aid contributions from the developed nations. Dependence on their legal system to do any of what they’ve been granted to do. Dependence of the individual readers past lives and their storage banks as to whether the story will even be understood or picked up. The [[Prophets]] dependence on the education given to them, the readers dependency on being able to read and in the language it was written and on translating it. [[The mission]] dependant upon voluntary contribution. Dependence on there being enough wealth generally. Dependence on the knowledge of the time. Dependence on the group members stepping up to the task. Dependence on the creative-natural-laws, on the pure-spirit-forms, on their ancestors knowledge of fine-material. Dependence on us sharing a very ancient ancestry with them. Dependence on our genetics limiting the quantity of time through life-expectancy allowing the schedule to be manageable by them. Dependant on our ignorance, dependent on the ancient catastrophe which restarted civilization. Dependency on the codex. Dependent on our continued ability to learn, on making mistakes, on doing the wrong thing. We’re dependent on each other, and they’re dependent on each other, separate humanities. It’s a story about many dependencies, depending on the readers perspective.
 
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Revision as of 23:08, 6 August 2018

Please see Special:NewFiles or Special:ListFiles to view all uploaded files. There is also an Art Gallery.

Introduction

Photobuch Photo-Inventarium

  • Photo-Inventarium / Photo-Inventarium
    Photographs by Billy Eduard Albert Meier and a selection of his witnesses from 17th May 1964 to 5th February 2004. With an explanation as to why BEAM is the proclaimer of the modern times, contact person to the Plejaren Federation, why he was supposed to take the best photos of the out of this world beamships and the reason they come to Earth.
    Source Sample
  • Photobuch / Photobook
    Linen cover with silver embossing, 4 coloured print, thread-bound, 122 pages, 95 photos (including 29 large format colour photos), size: 230mm x 297mm.
    Source Sample



In contrast to other UFO groups, which deal exclusively with the phenomenon of UFOs, for us the spiritual (geistige) and consciousness (bewusstseinsmässige) background occupies a much higher priority than all ufological concerns taken together.[1] Nevertheless, we cannot and don't want to renounce the topic of ufology, especially since we have the world's most extensive and best evidence that's ever existed. There is no UFO case on this Earth comparable to that of Billy Meier. The extraterrestrial human beings that Billy Meier has been selected and prepared to communicate with and be educated by, have encouraged and assisted him to take over a thousand photographs and film recordings of their many different types of spaceships, beamships, high-technologies and personnel, as well as various other interesting and supporting things. It’s a moderate, modest presentation considering what you’re looking at. [continue reading]

A crop from Billy Meiers photo used in promotion of the fantasy fiction television series X-Files, seasons 1-3. It's proven a more popular image-crop amongst those that want to believe than amongst those that want not know for some reason.
Although often referred to as fake, and if fake surely nothing more worth knowing about it, Billy Meier's photographs are used around the world in the press and on television as a means of illustrating reports of UFOs. It's significant that Meier's copyright is regularly disregarded and in all these years he's received only a few very small royalties and in about three cases.[2] The more famous photos in the collection were taken in the 1970’s and early 1980’s. One of which notably ended up being used for the original X-Files series 1-3 "I Want To Believe" TV poster in the 1990's, which demonstrates how fiction is a stronger popular interest than non-fiction and how believing is more interesting than knowing, therefore regrettably that truth isn't commercially viable and profitable.


The lesser known non-famous images by BEAM and by those other photographers at higher resolutions, span a greater time-frame. When the images from India are taken into consideration, from the 17th of May 1964 to the 5th of February 2004, and others even to the present day, when vessels from the wider Plejaren Federation are taken into consideration (however it all began much earlier in 1937). The collection includes other interesting things including; archaeological discoveries, drawings, event related happenings, natural and unnatural formations, experiments, geographical imagery, universal symbols and imagery related and in support of specific explanations in the Contact Reports.[citations needed] Its all already heavily steeped in heritage despite first being documented properly in just the second half of the 20th century. When we consider the tied-in events i.e. mission associated with ancient times,[citation needed] within at least what we from our perspective designate as ancient.[citation needed] The collection isn't particularly clear in terms of origination, context and/or descriptions with the images. There are several dubious images which have been woven in, some supportive, others not so much.[citations needed] Its generally accepted that the independent studying person will be on their own, to make up their own mind about which is which and what is what for themselves.

Billy was not the first nor last to photograph beamships but is the only in the world to have any quantity.[citation needed] Ufology is as big as it is today after just a few decades, not exclusively because of him, but because of a Plejaren Federation and Andromedan High Council decision for limited but open disclosure in the 20th century.[citation needed] We have been deemed mature enough for a small, lesser reveal, at this particular stage of our rapid history, because it’s always been as worldwide and openly-concealed as they've said it is,[citation needed] with at least 5 races in a large federation who have been known to quietly visit Earth for some time,[citation needed] and because their life expectancy is roughly 12x our life duration.[citation needed] They've therefore been able to oversee those rapid succession of developments and because Earth is known to have an ancient ancestral extraterrestrial heredity,[citation needed] and we're in the midst of another civilisation restart[citation needed] in the lofty scheme of time. I suppose you could say it's all been a big openly-concealed matter for a long time.[citation needed]

The gallery below contains selected images and represents a smaller quantity of the totality of all available imagery. It’s become collectable and a hobby to read and study by many.[citation needed] On the other hand Eduard's claims have been widely characterised globally as fraudulent by carping scientists, sceptics, and most ufologists (the UFO Community ideologically opposes the Meier Case); who say that his photographs, films, evidences etc., are tricks and story is too fantastic.[citation needed] Some find this layering interesting in and of itself.[citation needed] The website does include some of those more sceptical analyses, it covers everything, however the FutureofMankind is mostly focused on the interesting published works, and presenting everything in a neutral way. Other websites are available if your looking for a morbid even macabre tone,[citation needed] you won’t find those kinds of tones and approaches here. The website is somewhat aligned[citation needed] to the FIGU itself (FutureofMankind is not an official FIGU website), which takes a no proselytising,[citation needed] calm, neutral approach to the sceptical. For most and normal readers it has all been presented by FIGU beautifully, and most don’t need or have not needed analysts to know. Frankly those who have found themselves reading the entirety of the works, have discovered that position of FIGU, of not proselytising; refreshing, honourable and on some level revealing, intriguing and enjoyable to continue reading. But no proselytising means you’ll have to decide for yourself what you think about it. Besides, most are capable of finding out by themselves, that it’s possible to have a difference of opinion.[citation needed]

The witnesses speak and think differently about it all than the television documentaries and silence from the authorities has lead that majority to perceiving it to be.[citation needed]

The story behind the photos is after all big.

The hand-drawings of the Plejaren personnel (assigned to Earth and the tasks) at the more so forefront of the exchange, are by several sketch artists who have logically-embellished a more simple original drawing by the Plejaren themselves which Billy has then passed along.[citation needed] The drawings may therefore differ slightly and as they're drawings are never going to be perfectly accurate like a photo. There is a slither of part of one of them with the hair and lazer showing.[citation needed] The reason photos don't show them has several reasons, among those reasons we are told is that by revealing their identity they would no longer be able to walk among us without being identified,[citation needed] and presumably facial recognition technologies may have even allowed authorities to track them,[citation needed] but the most important reason is 'the might of thoughts and feelings'; being as numb as we are and them being as sensitive as they are; or else they wouldn't be able to use telepathy;[citation needed] plastering their images all over the internet may have caused them various problems, being disturbed by all sorts of ignorant signals etc.[citation needed]

Some of the images are of or taken at the 'Semjase Silver Star Centre', SSSC.

Symbols of the Spiritual Teaching (Symbole der Geisteslehre), Books#Symbole_der_Geisteslehre.

Nearer the bottom of the collection we’ve included a few of the symbols of the spiritual teaching from the book ‘Symbole der Geisteslehre’. The book contains 601 out of the total of 52,476,812 (52 and a half million) spirit symbols, which Billy has retrieved from the Storage Banks, which required a lot of effort for him.[citation needed] The more complex symbols might have been too difficult to convey.[citation needed] They are used in Spirit-Telepathy (not regular Telepathy / primary-telepathy), a fact which is explained in ‘Geisteslehre No. 17’, p.179.

In the introduction section of the book ‘Symbole der Geisteslehre’, p. XVI, Bernadette Brand describes the value of the symbols as a self-education tool.

".....The symbols of the Spirit Teaching embody not only the concepts they represent, but they contain any of a whole universe of meanings. They generate in the person who deals with them, a new bond / attachment to the symbol and the idea for which it stands for. Occupying oneself meditatively on the symbols of the spiritual teaching in detail, from my own experience, causes an extremely valuable and helpful, self-knowledge, self-education and character development and personality development. The symbols accommodate not only nice and edifying or foreboding and awful ‘images’, but in themselves are very involved, and to deal with them radically and unreservedly, is informative and valuable....."

".....With the feelings and stirrings they evoke in us when we inspect, perceive and deal with them, can be bit by bit a help to us on our stony and laborious path of evolution. Our reactions to the symbols are not neutral, but in fact shaped by our thinking and our personality."


The ability to use Spirit-Telepathy is only available to those who have reached level 4[citation needed] and mastery of primary-telepathy may be a requirement which precedes this. Billy mentioned[citation needed] that only a small percentage of individuals in the Plejaren Federation have developed the ability to use primary-telepathy,[citation needed] and that as far as Earth humans are concerned, our life expectancy is just a little too shy of the amount of time necessary to learn it.[citation needed] Ptaah explained that one of their investigations[citation needed] indicated that Earth, on the whole knows some very basic, baby-shoes, consciousness-related-telepathy, but is some way off primary- and volitional telepathy.[citation needed]

The symbols represent a materialist / coarse material representation i.e. solid image in the visible light spectrum of the electromagnetic spectrum, of what is essentially and inherently pure-material and fine-material indigenously.[citation needed] Which is probably an important fact to know.


So what is the Billy Meier story about? Well opinions vary and you can make your own mind up about it by starting at the Contact Reports page.

Some, asked to describe the story in one word, have called it a story of dependence.
Evolution by definition is dependant on the starting position. It’s about the Plejaren being at the very top of the ladder of technological dependence. About us approaching the first step of such a dependence, and how if they helped us we would become dependent on them instead of our own ladder, like how the former extraterrestrials who generally live on Earth made the neanderthals dependent in the early days, until the dependence flipped the other way, similar to developing-world-aid contributions from the developed nations. Dependence on their legal system to do any of what they’ve been granted to do. Dependence of the individual readers past lives and their storage banks as to whether the story will even be understood or picked up. The Prophets dependence on the education given to them, the readers dependency on being able to read and in the language it was written and on translating it. The mission dependant upon voluntary contribution. Dependence on there being enough wealth generally. Dependence on the knowledge of the time. Dependence on the group members stepping up to the task. Dependence on the creative-natural-laws, on the pure-spirit-forms, on their ancestors knowledge of fine-material. Dependence on us sharing a very ancient ancestry with them. Dependence on our genetics limiting the quantity of time through life-expectancy allowing the schedule to be manageable by them. Dependant on our ignorance, dependent on the ancient catastrophe which restarted civilization. Dependency on the codex. Dependent on our continued ability to learn, on making mistakes, on doing the wrong thing. We’re dependent on each other, and they’re dependent on each other, separate humanities. It’s a story about many dependencies, depending on the readers perspective.

Enjoy.



REFERENCE

  • FIGU Filmaufnahmen (UFO) Video Gallery (German) (External)
    Filmed in Switzerland by 'Billy' Eduard A. Meier with a Super8 camera, with the exception of the "Bachtel" footage, which was filmed with video camera. The full video sequences were incorporated into the films "Contact from the Pleiades", "Beamship: The Meier Chronicles" and "Beamship: The Movie Footage" and can be watched on youtube and other video sharing platforms.


Gallery



[click here to load many more images]

Further Reading

References

[show/hide]

  1. http://www.figu.org/ch/ufologie
  2. http://www.figu.org/ch/ufologie
  3. Source: (Video still from the feature-length documentary "The Silent Revolution of Truth")
  4. Source: billymeiertranslations.com
  5. Source: billymeiertranslations.com
  6. Source: billymeiertranslations.com
  7. Photo Inventarium 2014
  8. Source: billymeiertranslations.com
  9. 6 Photo Inventarium 2014
  10. Photo Inventarium 2014
  11. Source: billymeiertranslations.com
  12. Source: billymeiertranslations.com
  13. Source: billymeiertranslations.com
  14. 12 Photo Inventarium 2014
  15. 15 Photo Inventarium 2014
  16. 494 Photo Inventarium 2014
  17. 83 Photo Inventarium 2014
  18. See Contact Reports listed by date
  19. 80 Photo Inventarium 2014
  20. 60 Photo Inventarium 2014
  21. 116 Photo Inventarium 2014
  22. (From Guido Moosbrugger's book "And still they fly!")
  23. (analogue video) reel
  24. Berg-Rumlikon, Switzerland, 12th June 1975, 10:40 am.
  25. 62 Photo Inventarium 2014
  26. 61 Photo Inventarium 2014
  27. 638 Photo Inventarium 2014
  28. 93 Photo Inventarium 2014
  29. (Source: FIGU US old external website link Source)
  30. (Video still from the feature-length documentary "The Silent Revolution of Truth" during a cross-fade between the two previous photos)
  31. 55 Photo Inventarium 2014
  32. 57 Photo Inventarium 2014
  33. 64 Photo Inventarium 2014
  34. 65 Photo Inventarium 2014
  35. 66 Photo Inventarium 2014
  36. 69 Photo Inventarium 2014
  37. 71 Photo Inventarium 2014
  38. 76 Photo Inventarium 2014
  39. 65, 119, 57 and 71 Photo Inventarium 2014
  40. Courtesy of J. Jansen. (Thanks to Professor Jim Deardorff http://www.tjresearch.info/moretree.htm)
  41. 229 Photo Inventarium 2014
  42. 221 Photo Inventarium 2014
  43. Source: billymeiertranslations.com link
  44. 187 Photo Inventarium 2014
  45. 187 Photo Inventarium 2014
  46. 202 Photo Inventarium 2014
  47. 200 Photo Inventarium 2014
  48. 154 Photo Inventarium 2014
  49. 154 Photo Inventarium 2014
  50. 151 Photo Inventarium 2014
  51. 152 Photo Inventarium 2014
  52. Photo Inventarium 2014
  53. Photo Inventarium 2014
  54. Photo Inventarium 2014
  55. Photo Inventarium 2014
  56. Photo Inventarium 2014
  57. Photo Inventarium 2014
  58. Photo Inventarium 2014
  59. Photo Inventarium 2014
  60. Photo Inventarium 2014
  61. Photo Inventarium 2014
  62. Photo Inventarium 2014
  63. Photo Inventarium 2014
  64. Photo Inventarium 2014
  65. Photo Inventarium 2014
  66. Photo Inventarium 2014
  67. Photo Inventarium 2014
  68. Photo Inventarium 2014
  69. Photo Inventarium 2014
  70. Photo Inventarium 2014
  71. Contact Report 012 lines 50 - 52
  72. Photo Inventarium 2014
  73. Source: Photo Inventarium, 2014
  74. Photo Inventarium 2014
  75. Photo Inventarium 2014
  76. Photo Inventarium 2014
  77. Photo Inventarium 2014
  78. Photo Inventarium 2014
  79. Photo Inventarium 2014
  80. Photo Inventarium 2014
  81. Photo Inventarium 2014
  82. See Contact Report 015 regarding projection of a persons image spiritually to another place or time.
  83. Source: Photo Inventarium, 2014
  84. Photo Inventarium 2014
  85. Source: Photo Inventarium, 2014
  86. Source: Photo Inventarium, 2014
  87. source of image: the documentary Contact.
  88. Photo Inventarium 2014
  89. (Source FIGU US website old link)
  90. Photo Inventarium 2014
  91. (Source)
  92. (Source external FIGU US link)
  93. (Photo from Guido Moosbrugger's book "And still they fly!")
  94. (Photo from Guido Moosbrugger's book "And still they fly!")
  95. Photo Inventarium 2014
  96. Photo Inventarium 2014
  97. Photo Inventarium 2014
  98. Verzeichnis, 1986
  99. Photo Inventarium 2014
  100. Verzeichnis, 1986
  101. Photo Inventarium 2014
  102. Verzeichnis, 1986
  103. Photo Inventarium 2014
  104. Plejadisch-Plejarische Kontaktberichte Block 3 (2004)
  105. Photo Inventarium 2014
  106. Photo Inventarium 2014
  107. Photo Inventarium 2014
  108. Verzeichnis, 1986
  109. Photo Inventarium 2014
  110. Photo Inventarium 2014
  111. Photo Inventarium 2014
  112. Photo Inventarium 2014
  113. Photo Inventarium 2014
  114. Photo Inventarium 2014
  115. Photo Inventarium 2014
  116. Photo Inventarium 2014
  117. Photo Inventarium 2014
  118. analysis by Rhal Zahi second edition PDF
  119. Photo Inventarium 2014
  120. Photo Inventarium 2014
  121. Photo Inventarium 2014
  122. Photo Inventarium 2014
  123. Photo Inventarium 2014
  124. analysis by Rhal Zahi second edition PDF
  125. Photo Inventarium 2014
  126. Photo Inventarium 2014
  127. analysis by Rhal Zahi second edition PDF
  128. Photo Inventarium 2014
  129. Photo Inventarium 2014
  130. Photo Inventarium 2014
  131. Photo Inventarium 2014
  132. Photo Inventarium 2014
  133. Photo Inventarium 2014
  134. Photo Inventarium 2014
  135. Photo Inventarium 2014
  136. Photo Inventarium 2014
  137. Photo Inventarium 2014
  138. Photo Inventarium 2014
  139. Photo Inventarium 2014
  140. Photo Inventarium 2014
  141. Photo Inventarium 2014
  142. Photo Inventarium 2014
  143. Photo Inventarium 2014
  144. Photo Inventarium 2014
  145. Photo Inventarium 2014
  146. Photo Inventarium 2014
  147. Source
  148. Source
  149. (Video still from the feature-length documentary "The Silent Revolution of Truth")
  150. See Contact Report 236 from 26 April 1990. (From Guido Moosbrugger's book "And still they fly!")
  151. Source
  152. Source
  153. (Video still from the feature-length documentary "The Silent Revolution of Truth")
  154. (Source)
  155. (Source)
  156. Source
  157. Source
  158. Source
  159. (From Guido Moosbrugger's book "And still they fly!")
  160. See Contact Report 039
  161. Jmmanuel - wrongly known today as Jesus Christ
  162. colourised in Photoshop by Dejan.
  163. colourised by Dejan.
  164. A page from the book "And still they fly!"
  165. Semjase informed Meier about the Plejaren Alphabet during Contact Report 31 while on his Great Journey. This is a page from the book "And still they fly!"
  166. See Contact Report 236 lines 204 (Thursday, 26th April, 1990) Semjase Kontakt Berichte Block 13, pg. 2465, 1996; Plejadisch-plejarische Kontaktberichte Band 6, pg. 262, 2005.
  167. See Contact Report 236
  168. See Contact Report 236.
  169. See Contact Report 236.
  170. See Contact Report 236.
  171. Later changed to manufactured fake composite by producers, presumably to avoid alienating those who didnt live in a high precipitation, moderate temperate climate with rare rolling hills surrounded by evergreen conifer forest that included cedar, cypress, Douglas fir, pine, spruce and in order to lower the shows value all the way down to where audiences tastes for entertainment were, in the cheap.
  172. see Contact Report 251.
  173. The universe including all its dimensions and features is said to have this particular configuration, this is how it's said to look, were an image captured of the full formation externally and from quite some distance. Fictitious artists representation.
  174. Most Planets naturally develop some form of similar cultural interpretation. Based in the growing and thriving in nature, where momentum tends to proceed upwards.
  175. The top section is said to resemble a lotus flower or aquatic based flower, water lily however most flowers follow the same growth principles.
  176. We've associated a downward momentum to the flourishing of nature on Earth. Peace tends to occurs when things are permitted to develop normally.
  177. Upside down represents struggling life, anti-life, death, war, anti-flourishing and holds several other denotations and connotations including based with barren manifestation. It doesn't represent peace as popularly thought.
  178. Forms of perversity are necessary at certain times of evolution. Similar composition is found in the Union Jack, the national flag of the United Kingdom. Which may upon thought, be advantageous in light of the time schedule and other factors on Earth.
  179. Associated with repulsion. Beamships master repulsing, pushing and pulling of matter, for flight control purposes.
  180. Similar but not the same as the rejection symbol.
  181. Some eastern cultures have similar iconography and symbolism which has developed over into garden and architectural features.
  182. The underside veins of leaves tend to grow with the natural pattern formulation. The arrangement holds several excellent transfer, supporting and development advantages over others.
  183. The iconography is often associated with marriage and partnership.
  184. Similar to pestle and mortar, ancient Egyptian and Rapa Nui symbols which have held similar values.
  185. Similar to the iconography utilised by the Judaism religion which however is not necessarily befitting of its values yet has been known to be perceived that way. See history of anti-semitism.